Loosely inspired by George Bernard Shaw's play "Pygmalion" and its musical adaptation "My Fair Lady" (George Cukor, 1964), the plot of "The Opening of Misty Beethoven" follows Dr. Seymour Love (played by the always "bad boy" Jamie Gillis), a renowned sexologist who embarks on the ambitious project of transforming Misty (Dolores) Beethoven, a humble

A New York lawyer, the last discarded lover of the adulterous and icy beauty Holly (a dazzling, never-ending Catharine Burgess), decides to blackmail her by hiring a gangster (of course, Jamie Gillis) to covertly observe and film her with her new lover in the hotel room. A subplot involves the gangster's abused girlfriend (Terri Hall) and her drug

Catherine Burgess is a sensual, ultra-sexy, bored, and traumatized high-society housewife who enters a sexual hell for the depraved (DeSade style) through a mirror stored in the attic of her mansion. During these "trips" to the underworld, she contacts her deceased father (now embodying the devil himself), who obsessively demands her to continue ab