- Created on: 2025-11-10 23:13:36
- Modified on: 2025-11-11 12:38:09
- Link to subtitles: Second Coming of Eva (1974)
- Estimated reads: 9
- Likes counter: 0
Tags: Mac Ahlbergvintage porngolden ageTeresa SvenssonBerit AgedalBrigitte MaierMonica AnderssonAnnica Salomonsson
I should have gone to that school...
Eva (the sexy redhead Teresa Svensson) is a young woman with a budding sexuality, and one morning she's caught by her older sister peeling her sardine, caressing her anchovy, adding sauce to her clam... The sister, a very puritanical and conservative woman, is horrified and decides that Eva must enroll in a strict, moralistic girls' boarding school, hoping she'll receive "moral and aesthetic instruction from competent teachers" (literally) that will suppress her impulses. However, the school, run by Bo Gyllenstake, a freeloader trying to prove he can "renew his moral values" to fulfill an irrevocable clause and inherit from a relative living in the US, turns out to be a hotbed of repressed desires and unparalleled sexual activity. In this environment, instead of being "reformed," Eva witnesses the erotic escapades of the students and their interactions with the rest of the staff. The plot follows Eva's arduous intellectual odyssey in an unfamiliar setting, where her curiosity transforms into active participation, exploring her urges and experiencing sexual release in the form of intense and liberating orgasms.
"Porr i Skandalskolan" (roughly translated as "Pornography in the School of Scandal") is distinguished by its light and often comedic approach. The plot is decidedly thin and serves primarily as a MacGuffin to string together a series of explicit sexual encounters. It doesn't take itself too seriously, seeking entertainment through sexual gags and absurd situations more akin to a farce than an erotic drama.
Mac Ahlberg, known for his work as a director and cinematographer on typically softcore Scandinavian projects (such as "Flossie" in 1974, or "Justine och Juliette" a year later), gives the film a visually competent look for the standards of the time and genre, and the plot plays with the recurring contrast between a supposedly rigid morality and the inevitable effervescence of conflicting sexual impulses. The central thread is the protagonist's sexual liberation and discovery within a permissive context.